There are so many people who don't have any idea about their ancestors and is important to keep in touch with where you came from. The quilts serve as a testament to a family's history of pride and struggle. Meanwhile Asalamalakim is going through motions with Maggie's hand. Another part of what makes the writing conversational is that, once in awhile, the narrator addresses us readers directly. This goes to show that an education can change the aspects of a person and their way of seeing others. Meanwhile, the narrator, Mama, also gives hints about herself as a hardworking, humble woman, who took the lead role of parenting her daughters in the absence of her husband. After we watched the car dust settle I asked Maggie to bring me a dip of snuff.
But apart from her physical strength, she also show mental. Hesitation was no part of her nature. In African American culture, the arts, literature. Mama is a robust woman who does the needed upkeep of the land, I am a large, big-boned woman with rough, man-working hands. Although Dee and Maggie are sisters who have grown up together, their physical. Maggie's hand is as limp as a fish, and probably as cold, despite the sweat, and she keeps trying to pull it back. Just as food is a big part of culture and heritage, it is not limited solely to food.
She had decked up in a traditional African dress to make herself one of those Africans who are rooted to the past. Although they get a little tense, Mama doesn't' change her mind and gives the quilt to Maggie. We see them come to terms with that they were content with being common. Maggie goes from never smiling to smiling at the end of the story when she gets to have the quilts that were promised to her. Dee Wangero moved back just enough so that I couldn't reach the quilts. She sympathizes very much toward Maggie, She feels sorry for Maggie.
For her and Maggie, the yard evokes safety, a place where they can exert what little control they have over their environment. The way Alice presented Dee to us is a person who always knew that she never wanted the life her mother lived, and said that when she visited she would never take her friends there. She had filled her bottom lip with checkerberry snuff and gave her face a kind of dopey, hangdog look. Dee Wangero looked up at me. Who ever knew a Johnson with a quick tongue? When Dee finally arrives she arrives with her Arabic boyfriend she also mention she has change her name to Wrangelo. The quilts are pieces of living history, documents in fabric that chronicle the lives of the various generations and the trials, such as war and poverty, that they faced.
Walker mainly reflected the plight and agony suffered by African-American women through her writing skills. I never had an education myself. I hate stories that end with the bad guy winning. I felt as if Mama knew that Maggie had so much more values toward the quilts than Dee did and that is why she chose to stand up for Maggie and give them to her. Walker illustrates the importance of our life in relation to our people and culture. She also describes herself as a non-witty person, in wretched outfit, plump, and non-showy. It seemed as if she was ashamed of her family or roots.
By knowing your family, you are able to see yourself in a totally new way. She makes me feel that even though we all live different lives, we are all the same in every way. She voices black women's sufferings, hopes, and idiosyncrasies. Mama now spills the beans and says that those quilts were preserved for Maggie, as her wedding gift in the near future. After a tragic incident of their house burning down, Maggie is left traumatized while Dee sees the incident as a positive occurrence. The quilt additionally adds to the idea of creative activities women came up with to pass down history from generation to generation as a part of their heritage.
This cultural aspect is reflected in her story Everyday Use when her character fails to see the family heritage symbolized in varies items in her house. Alice Walker is credited with renewing literary interest in Zora Neale Hurston, one of her major influences. Alice Walker, Family, Prince 1641 Words 4 Pages The short story Everyday Use by Alice Walker differentiates between a fake and a real heritage. They all gather at the table in the yard for dinner, which the narrator has prepared to perfection. Walker presents Mama and Maggie, the younger daughter, as an example that heritage in both knowledge and form passes from one generation to another through a learning and experience connection. While the narrator's likening of Maggie to a lame dog and a cold fish might seem like a kind of harsh way for a mother to view her child, it emphasizes that Maggie doesn't seem to regard herself as a human being worthy of much respect, at least in the earlier parts of the story.
Simile has also been used in the story. We're not inside the narrator's head or memories as deeply as we were before—now she's more focused on telling us about the encounter with her guests. While Dee was a confident, perhaps…selfish girl, Maggie is a shy one, embarrassed by her own burning scar. Mama and Maggie are quite taken aback by the change of looks by Dee, and her equally strange counterpart Hakim. Walker was like most African Americans in her time raised by hard-working underpaid parents, this is reflected in her writing.
The way she presents it, is with disgust. Alice Walker shows an African American family who live in poverty but who are comfortable without complains. The other two keep their firm ground in living out their culture, rather than using it simply as a conversation starter. Dee states, that she would like to have them so she could hang up and display them in her home. Summary: A single mother raising two daughters named Maggie and Dee.
Maggie just sat there on my bed with her mouth open. Dee coaxes her mother to give her those, in a gesture that she already owns them. Sometimes Maggie reads to me. The speaker in this story is the mother of two girls: Maggie and Dee. Mama remembers the way she looked as the house was burning. Out came Wangero with two quilts.