Together with Carlos Francisco, Galo B. Expo 70, Osaka Japan, 1970 39. Philippine Printing, Qantas Showroom, Rome, 1961 29. In 1993, his student plate of a collage study of images from magazines, Views and Points of View won the Jurors. Twenty Years of the Philippine Contemporary Art, Luz Glleery, Manila, 1966 33. Associate Editor, Herald Mid — Week Magazine, 1938 — 1941 7. First Art Exhibition, Philippine Painters League Malacanang, Manila, 1939.
The Fifties Exhibition, Cultural Center of the Philippines, 1970. Philippine Neo-Realist Art Exhibition, Mexico City, 1955 21. His works also depicted objection against the disparity between rich and poor. Cashier, Maypajo Cabaret, Caloocan, 1928 — 1930 3. His works from this period became more stylized and showed an increasing tendency to abstraction in their primary concern for design, color, and texture. Intermediate — Caloocan Central School, 1921 — 1924 3. Manansala and Cesar Legaspi, he did works which reflected the harsh realities of his country after the Second World War.
He started his career as a member of the Saturday Group along with and. He was also a leading member of the Saturday group of artists which met regularly at the Taza de Oro. Karges Fine Art is one of the leading dealers of original works by a large number of well-known Filipino painters including Fernando Amorsolo, Jose Joya, Juan Luna, Cesar Legaspi, Anita Magsaysay-Ho, Vincente Manansala, and Fernando Zobel. High School — Association Institut, Y. He began as a writer in English.
A protean innovator in a craft which demand high skill, he is the weather vane of contemporary sculpture, planting the seeds of. He was a member of the Saturday Group of artists also known as the Taza de Oro Group , and was one of the pre-war Thirteen Moderns, a group of modernist artists founded by Victorio C. Second International Contemporary Art Exhibition, India, 1952. Data provided by , led by Hilary Evans, Arild Gjerde, Jeroen Heijmans, and Bill Mallon. One vivid illustration portraying the objection in social inequality is his painting, The Contrast, which pictures a beggar eating in front of a mansion.
During the Japanese Occupation, Ocampo turned to writing in Tagalog and wrote plays for the stage, becoming the chief scriptwriter and assistant director of the Associated Artists. It was, however, his abstract works that left an indelible mark on Philippine modern art. No caption was indicated for each image. Legaspi-Luz-Ocampo Exhibition, Luz Gallery, 1968. As a visual artist, he also envisioned to come up with masterpieces showing a search for Filipino spirit. Inaugural Exhibition, Gallery 7, Makati, 1965. Click for an immediate, free, confidential evaluation of your painting by our experienced, knowledgeable staff using our simple on-line form.
Some of his more complex and highly textured paintings, such as Fiesta, are of this period. Date and Place of Birth: April 28, 1911, Sta. First Year Pre — Law, Letran College, Manila, 1928 — 1929 5. He died on December 28, 1978 in Caloocan, Philippines at the age of 67, and was posthumously awarded the title of National Artist of the Visual Arts in 1991. It also represented the final maturation of the abstract style of the artist in painting the search of the Filipino spirit.
He also became editor of the Manila Sunday Chronicle Magazine. His works provided an understanding and awareness of the harsh social realities in the country immediately after the Second World War and contributed significantly to the rise of the nationalist spirit in the post-war era. Annual Group Exhibition, Luz Gallery, 1961-1970 42. Festival International de la Peinture, Chateau Musee, Grimaldi, France, 1969. He derived inspiration from The Beginning of the End, a science-fiction fantasy film on the mutants and strange forms spewed forth by nuclear explosions. Creative Writing, Valenzuela School of Journalism under Manuel E. Philippine Cultural Exhibition, Taipei, 1961 28.
Japanese Occupation Years 1941-1945 Stopped painting. Ocampo was credited for i. Exhibition of Nudes, Solidaridad Gallerie, 1969. Chief Scripwriter and Asssistant Director, Associated Artists, producers of stage shows at the Capitol, Lyrics and Avenue Theaters, 1942 -1945 8. The Japanese also appointed him censor for the stage and for the Taliba newspaper, at the same time that he had an intelligence assignment as second lieutenant in Straughn’s Guerrillas. Creative Painting, Self Study, 1929 to the present.
Members: David Foster, Martin Frank, Jørn Jensen, Carl-Johan Johansson, Taavi Kalju, Martin Kellner, George Masin, Stein Opdahl, Wolf Reinhardt, Ralf Regnitter, Paul Tchir, Magne Teigen, Christian Tugnoli, Morten Aarlia Torp, and Ralf Schlüter. Hernando Ruiz Ocampo was a Filipino artist best known for his abstract paintings. Most of his paintings of the 1960s belong to his mutants period. Opera House Art Exhibition, Manila, 1950 9. The Development of Philippine Art in Painting, Social Hall, Department of Foreign Affairs, Manila, 1956. Ocampo identified the several stages in the development of his art: 1929-1934, Amorsolo period; 1934-1945, proletarian period; 1945-1963, transitional period, 1963-1978, mutants period; and 1968-1978, visual melody period. Hindi ito ang last full show ni Danilo Dalena.
Return to Normalcy 1948-1971 1. Annual Group Exhibition, Solidaridad Galleries, 1969-1970 43. He was producer-director of the Filipino Players Guild, which specialized in radio programs, 1950-1953. Philippine Contemporary Art, Cultural Center of the Philippines, 1971. First Southeast Asian Art Conference and Exhibition, Northern Motors Showroom, Manila, 1957. Director, National Media Production Center, Manila, 1954 — 1958 12.