In simple, everyday language, the narrator describes her house and relates connections in her mind in a stream of consciousness fashion. A study of the syntax of these passages shows how the narrator's description is a kind of ode to her mother. The house they are currently staying in is in a neighborhood filled with Mexican-American or rather Latinos like them, Mango Street is the name of the street and it was the first house owned by the parents of Esperanza. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. And, though she continues to dream of her own house, and rejects Mango Street in a conversation with Alicia, saying that she will not come back until someone fixes it up, Esperanza finally begins to accept Mango Street as part of her.
She suddenly finds herself interested boys. She is completely ignorant about sex and says that boys and girls live in completely different worlds. Analysis: Themes Chapter One addresses themes of home, family, poverty, and self-identity. The young Rafaela is locked up by her husband because of her beauty. It seems that the whole book has been a realization of that resolve, a way for Esperanza and Cisneros to go back to her community, even though it is mostly written in the present tense. Her husband is a marshmallow salesman that she meets at a school bazaar. Nevertheless, Esperanza does not stop dreaming of leaning against a car with her boyfriend in a place where that does not bother anyone.
Finally, she decides that what she really wants is to be independent, and to have her own place to write. Part of Esperanza's self-image is one of stoicism; she keeps her feelings to herself and actually — for the narrator of a book — says relatively little, leaving the reader to infer a great deal. She is still frightened, but refuses to let him see that. By this stage in the book, Esperanza is sure she does not want to end up like any of the women she knows--except, perhaps, Alicia, the university student. Dreamy and romantic, and sometimes finding it difficult to fit in, she dreams about what it would be like to have friends and a boyfriend.
Esperanza reveals her tender side when she comforts her father after he tells her his own father has died. One day I will go away. In the novella, the theme is that losing innocence brings about maturity. Her father not allowing her to do broaden her knowledge makes her see their home as a house and as Alicia gets older, the more she wants to escape the life she is currently living. We bought a used refrigerator from him once. She creates the character Esperanza to show us that that every once in a while one person can be different, and try to make their life better, and the lives of others better.
Sally puts Esperanza in a situation where she feels ashamed and uncomfortable being in her own skin and not understanding how Sally acts with the boys. His cousin Marin lives with the family and helps take care of his younger sisters. Though she stayed with him, she was unhappy for the rest of her life, and Esperanza is afraid of ending up like her. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. Men have the upper arm in the relationship. Even though Sally seems content and happy, she is eternally scarred by the abuse she receives from her father.
Cathy promises Esperanza she will be her friend--until she moves away on Tuesday. Mama herself then becomes a metaphor for home, a unifying theme throughout the novel. She is now sick of imagining what might happen if she went out with a boy, dreaming about it, and simply wants it to happen. Elenita is a neighbor who has many boisterous children and lots of tacky furniture. She keeps it a secret, telling only Esperanza, and maintaining in public that she is just very clumsy. Esperanza matures as she begins to see the difference. Moreover, her intelligence is specifically creative, as is shown by her poetry, her originality, and especially her characteristic way of describing things in imaginative similes and other metaphors.
While they enjoy the excitement of pretending to be women, they cannot yet deal with the consequences. Mama operates as a caretaker and has authority over her household, and she is portrayed as a martyr, sacrificing her own needs for those of her family. As my colleague Joan England points out, Alicia also shows Esperanza the reality of leaving the neighborhood. While doing this, she encounters the struggles of her community, socioeconomic class, and heritage. After the dance, he gets hit by a car and killed. Women in 2016 are seen stronger as ever and that has really changed compared to 1984. Conclusion The House on Mango Street has shown it readers how Latinos lived in America, it also let the viewers have a glimpse of how women are treated in Mango Street and how a child evolves to a woman who thinks for herself and analysis the situation first before acting.
Rosa Vargas has so many children that the neighborhood gives up trying to take care of them, even though they are always getting into trouble. Sandra Cisneros was born and grew up in Chicago. Most women in her neighborhood are dependent on the male. Esperanza feels protective of Sally. Because Esperanza is a writer, she is a keen observer, and we see her powers of observation mature. Sire and his girlfriend Lois hang around outside late at night.
A good example of this is Marin. This is the first time the book hints at the struggle of trying to be an independent woman in that neighborhood: Alicia is successful, but she appears to pay a high price. But Esperanza is able to employ her natural adolescent impulses and feelings in this enterprise, channeling them into independence, ambition, and the courageous refusal to capitulate to social pressures towards conformity. Esperanza then compares the beauty of her name's proper pronunciation with the way she addressed at school. Alicia is Esperanza's older friend, who illustrates Esperanza's mother's advice about education in action. Sally tells Esperanza about her house and domestic objects that… 1087 Words 5 Pages Riaz Salehi The House on Mango Street by Sandra Cisneros, portrays the life of a teenage girl named Esperanza living on Mango Street. It is clear that, although there will still be major blows to her self-esteem later in the book, Esperanza is beginning to find strength in herself.