He goes on to describe the way that the river which he personifies glides along at the slow pace it chooses. While touring Europe, Wordsworth came into contact with the French Revolution. Thus, the poet comes close to capturing the indescribable feeling of familiarity and distance all at once. The river glideth at his own sweet will: Dear God! The first two lines of the poem demonstrate the metric pattern: The first eight lines present a view of the city as it wears the sunlit morning like a garment and its edifices glitter beneath the sky. Everything becomes simple and bright, like a freshly-minted penny. Well, Blake lived in London for much of his life, so he had grown painfully aware of the grunginess of the city, not to mention the injustices it contained.
Wordsworth's poem is a Petrarchan sonnet, developed by the Italian poet Petrarch 1304-1374 , a Roman Catholic priest. A walk across a bridge or through streets and alleyways confronted the pedestrian with smoke, dust, grimy urchins, clacking carts, ringing hammers, barking dogs, jostling shoppers, smelly fish, rotting fruit. The author writes what he. As to the sonnet's inherent beauty, that is up to the reader, but there are some intricate rhythms involved in these lines, and the pace is controlled with clever syntax. The rhyme scheme of the poem is abbaabbacdcdcd. The speaker is adamant that a person would have to be dull.
Both of the poems are written in a very peaceful tone and also make the mood very calm. The air is smokeless because the truckers have not started to pour their emissions into the atmosphere. This would be one difference between the two poems which may have influenced on the atmosphere. There are some similarities and differences in the two poems, and these create different atmosphere even though both poems are about nature. This is when Wordsworth scans through the view of London, perhaps in his sight, the Buckingham Palace, which is a very important part of London.
Wordsworth sees the beauty in London and Blake sees only the ugliness. It thrives and slumbers and sleeps as the poet walks upon Westminster Bridge, and watches it doze. It was interesting to read some of the comments. The marks are of weakness and woe, which shows the miserable feelings of the oppressed. From that grand opening line, with its showy declaration, to the steady iambic beat of the metropolitan heart, this sonnet aims to do one thing: romanticise what might be deemed ugly. Never did sun more beautifully steep In his first splendour, valley, rock, or hill; Ne'er saw I, never felt, a calm so deep! At regular intervals, the poet intersperses commas, semi-colons, and exclamation points seemingly at random, thus giving the poem a forced method of reading. This shows interest and enthusiasm in the subject.
Pied Beauty is a curtal or curtailed sonnet, this is a structure of poem that Hopkins came up with himself. The intention of both William Blake and William Wordsworth was to portray their… 1383 Words 6 Pages Essay question on the comparison between two poems by Wordsworth Q. The first poem to be commented upon is 'London' by William Blake, written a couple of decades before the second poem written by William Wordsworth. Whenever you start to fall into a rut, it might be time to take a trip to see new sights and new people. The second quatrain generalizes about the skyline shapes without detailing them. Some are critical of the poet for portraying London as some kind of sublime idyll, when the true nature of life in the capital was far more brutal and down to earth. This word alludes to even the streets and rivers suffering under political oppression, and the word hints at the miserable and dark life of chimneysweepers, soldiers and harlots in the following part of the poem, who are all poorly paid.
As the reader progresses through the poem, he is made to slow and thus to reflect upon what he is reading; the punctuation itself acts as a limitation on how quickly the reader can rush through the poem, thus lending aid towards imagining what is being stated in the poem itself. A Petrarchan sonnet consists of an eight-line stanza octave and a six-line stanza sestet. He then personifies the scene, giving life to the sun, the river, the houses, and finally to the whole city, which has a symbolic heart. This makes the word, when read out loud, very heavy and further connotes the shame the person ought to have, even though this puts the next few words in an awkward arrangement. The only difference is that the petrarchan Sonnet written by Wordsworth is thanking God for the beauty of nature's landscapes and talking about the beautiful morning in London during the industrial revolution.
London, even by the early nineteenth century, was a world of industrialisation, smog that is, smoky fog, created by industrial activity , as well as the centre of government and empire, two things that came under heavy scrutiny from the early Romantic poets. Upon Westminster Bridge is made up of fourteen lines, which is divided into two; an octave which is made up of eight lines and a sestet which is made up of the remaining six lines. In line 9 the feelings of the poet reach a kind of fever pitch, an echo of the opening line sounding - he has never seen anything like this dawn, this splendid sunlight. The rhyme scheme is abbaabba cdcdcd. Looking back in the brilliant morning sunlight at the sleeping city of London, the poet composed his Petrarchan sonnet in a tone peaceful and serene.
Much of the charm early in the morning can be attributed to the fact that the people and therefore metaphorically the city, is still asleep. Both poems give their own, different accounts of London at around the same period. Westminster Bridge is a road and foot traffic bridge stretching over the River Thames, linking Westminster and Lambeth. There are some similarities and differences in the two poems, and these create different atmosphere even though both… 1105 Words 5 Pages London by William Blake and Lines Composed upon Westminster Bridge by William Wordsworth 'Earth has nothing to show more fair', taken from William Wordsworths 'Lines composed upon Westminster Bridge,' could not be more of a contrast to the way William Blake describes what he sees in his poem 'London'. Never before has the poet witnessed such beauty which the splendour of the sun radiates over valley, rock or hills. It was a beautiful morning. Wordsworth continues to surprise his reader by saying that the sun has never shone more beautifully, even on natural things.