As he goes, Fortunato begins to make sorrowful noises and the narrator knows that the man is no longer drunk. And although it is wrong to to terrible things to other people, we still feel satisfactory from getting even. When Montresor met Fortunato, he smiled continually at Fortunato, who thought he saw a smile of warmth and friendliness, when in reality, the smile was a satanic smile in anticipation of Fortunato's entombment. It was reprinted in 1993 by Russ Cochran. Though Fortunato is presented as a of fine wine, L. Montresor also knew that Fortunato was not skilled in painting or gems. Poe may have known bricklaying through personal experience.
Once she has finished, he gets up from the chair and walks up the stairs. On the exposed wall is a small recess, where Montresor tells Fortunato that the Amontillado is being stored. The question that must be answered is what exactly, if anything, does Fortunato do to cause such hatred in Montresor. At every step his pride is exploited by Montresor, the dangling carrot that leads him to his demise. It can only be assumed that he trusts him do to the fact that he follows Montresor into the catacombs.
Furthermore, were it told from a different perspective, I do not believe the story would have been as psychologically powerful. Montresor is easily offended, jealous of Fortunato, and a little strange. The narrator is disappointed when Fortunato does not respond. Poe avoids having to use a lot of exposition to explain his characters by positioning the story as a letter or confession from Montresor to an intimate friend or confidant. These characteristics lead to the death of Fortunato, a man who has wronged him.
The reader can certainly detect, examine, and identify how Montresor feels and thinks. People get a thrill from a mysterious and dark tale of murder, and it doesn't get much darker than ' The Cask of Amontillado', which was written by the Stephen King of his time, Edgar Allan Poe. His plan for vengeance is easily seen through his actions and his thoughts. This identification reciprocity is further suggested when one takes into consideration that Montresor entombs Fortunato in the Montresor family catacombs rather than dispatching him elsewhere in the city amidst the chaos of the Carnival. In only a few minutes, it will be seen that Montresor is indeed a superb mason. When Montresor called out to him, he heard nothing and thus his plan was complete.
He tells Fortunato that he has acquired something that could pass for Amontillado, a light Spanish sherry. That year English published a revenge-based novel called 1844, or, The Power of the S. For this reason, the story can be read as either the main character taking pride in the success of this murder, or as a way in which the main character repents for his sins. He simply does it, quickly and cleanly. He had told them to stay in the house, but he had said that he would not return till morning, so he knew that they would have broken their word as soon as he left.
The narrator mentions that he might ask Luchesi to taste the wine for him, but Fortunato insists that he should do it himself, and Luchesi is an idiot. The murderer concludes: In pace requiescat! Upon further investigation into the true nature of character, double meaning can be derived from the Montresor crest. Through this entrance is yet another recess which is completely dark and, the narrator says, leads to the innermost vault where the Amontillado is. He describes the delicate balance of how to redress a wrong, making sure the wrong-doer knows what he has done but not becoming obsessed. The narrator goes to great lengths of manipulation to secure his revenge, showing cunning and intelligence.
His house had once been noble and respected, but has fallen slightly in status. Montresor offers wine first , then to Fortunato in order to keep him inebriated. Montresor does not understand the gesture, causing Fortunato to realize that he is not a member of the Masons. Fortunato tries to look into the recess, but because of the foulness of the air, the light from the torch is dim and he cannot see. This strongly suggests that he supposedly bought the pipe for resale and that he makes his living buying and selling valuable things when opportunities arise. While he carefully removes unnecessary parts of the story, Poe elaborately and vividly relates this bone-chilling tale of revenge while keeping his audience waiting for more. Montresor confesses this story fifty years after its occurrence; such a significant passage of time between the events and the narration of the events makes the narrative all the more unreliable.
Not all characters in a story have the same depth or the same importance: depending on the role they play in the story, some characters are described meticulously what they look like, how they feel, what they think, what their values are and others we never really get to know. The difference is that Montressor had not informed Fortunato of his intentions, but Zaroff let Rainsford know about his game of hunting right off the bat. Now feeling ill from the damp, the narrator drops his torch into the recess and place the final stone to close the wall. Allen, a fellow student during Poe's time there. Apparently aggravated by the nitre, Fortunato begins to cough. The adaptation was written by Albert B. Now in the dim glow he can hardly see his captive.
Montresor and Fortunato have strange, but telling, names. There are multiple ways to get revenge on someone; some people get straight to the point and go in for the kill, like what Montresor did in The Cask of Amontillado. Poe may have also seen similar themes in 's , November 1843 or his friend 's 1845. This version of Drane's demise is false; Drane was for the killing and , and lived until 1846. It is exactly the opposite. The major characteristics of the narrator and main character, Montresor, are anger, hatred, and revenge.
This raises a whole host of complicated questions. As he tells Fortunato, he comes from a family with a motto and a coat of arms that indicates a long tradition of revenge, and he ignores any pangs of heart sickness by blaming the damp and shutting Fortunato into the burial ground of his avenging family. During the carnival season, Montresor, wearing a mask of black silk, approaches Fortunato. Likewise, when Fortunato drinks a toast to the people buried in the catacombs, he little knows that he is drinking a toast to his own impending death. He got away with what he did without getting into trouble. At one point, however, Montresor paused and offered Fortunato a bottle of Medoc wine to help ward off the cold and the fumes of the nitre.