She knew the world was a stallion rolling in the blue pastor of ether. Kerosene lamps and their chimneys must be clean in order to function properly. For instance, the words of the trees and the wind. She compares each new man in her life to this pear blossom experience. Janie starts crying and Nanny sternly tells her that her mind will change as time passes. The image of the gate reappears at the end of this chapter. She was stretched on her back beneath the pear tree soaking in the alto chant of the visiting bees, the gold of the sun and the panting breath of the breeze when the inaudible voice of it all came to her.
Janie tells Pheoby that she has nine hundred dollars in the bank. So Ah'm thankful fuh anything we come through together. Through these themes, we learn more about Janie, as well as the other main characters. Then she went inside there to see what it was. As she walks through the center of town to her old home, all the people of the village stare at her and judge her.
Ah was born back due in slavery so it wasn't for me to fulfill my dreams of whut a woman oughta be and to do. She called in her soul to come and see. There are quite a variety of their eyes were watching god essay questions that one will encounter relating to the different aspects of the book. She often spoke to falling seeds and said, 'Ah hope you fall on soft ground,' because she had heard seeds saying that to each other as they passed. It was a weapon against her strength and if it turned out of no significance, still it was a hope that she might fall to their level some day.
Nanny, on the other hand, has a much more cynical vision of men. She pulled in her horizon like a great fish-net. Pheoby believes that Janie does not have to share any of her personal business with them. Janie Starks is a black woman living in Florida sometime during 1920-1935. These medical doctors wuz all right with the Godly sick, but they didn't know a thing about a case like his.
Pheoby brings Janie a small plate of dinner and compliments Janie on still looking so young and womanly, despite her shabby clothing. He hand it to his womenfolks. Thus, the character of Janie Mae Crawford Killicks Starks Woods, the novel's 40-year-old heroine, is introduced as she endures the judgments of the porch sitters. Her explanation for her return and Pheoby's confusion introduces the theme of storytelling: the novel is the product of Janie telling her own story. They got tuh go tuh God, and they got tuh find out about livin' fuh theyselves. Janie's flashback ends, and the novel returns to Janie's conversation with Pheoby that began in Chapter 1.
The novel starts and ends with Janie and Phoeby sitting on the front porch. This freedom feeling was fine. Otherwise they would not be worshipped. Janie, too, has high hopes. The Horizon and Pear tree: Although there are times when nature can display a mighty show of wrath, its beauty cannot go unnoticed.
Aspects that arise include racism, community and feminism. All gods dispense suffering without reason. For others they sail forever on the same horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time. For two weeks, Joe and Janie meet every day. The wind came back with triple fury, and put out the light for the last time. Then they act and do things accordingly. At first, Janie is afraid to give in to her feelings for Tea Cake because of all she had been through in her two previous marriages.
Then Janie felt a pain remorseless sweet that left her lime and languid. Time never stops for anyone. An envious heart makes the treacherous ear Pheoby characterizes the gossipy women with this biblical-sounding adage. He was younger than her. But Janie is a sensual women who grew up in nature and learned about sex and love from sitting underneath a pear tree and watching the bees spread pollen. Gates symbolize beginnings, openings into new worlds or new stages in life.